Introduction
TV series/movies offer different ways of seeing the audience and make them participate in the imaginary events. The movie’s atmosphere allows the audience to see the events, objects, and characters from different perspectives. At the same time, it positions the audience within the imagination shaped by the film. The audience perceives this imagined world as new and adds it to themselves. Televisual seeing allows both inside and outside, that is, both the formation or the discussion of a value and “seeing” the phenomena of reality in the world we have seen before in a new and different way. The film functions as a mechanism that interprets the various aspects of a period and transforms them into an allegory. Therefore, the film transforms moments from social relations, conflicts, and the human condition into visions and narratives. Although historical events, persons, cultural norms, and other characteristics of a particular society are accurate, the film represents a reality mixed with fiction. The documentary genre that deals with reality is also represented and constructed within cinematic mapping.1 Films are the vital element of truth and fantasy created through the image of the last two centuries. They are rooted in the century’s social, cultural, and political dimensions. In this context, where reality and fantasy are mixed, the Fauda series constructs a new reality while imitating reality, and produces fantasy with a real dimension.
