This article analyses the series Fauda, which portrays the Israeli-Palestinian conflict, one of the longest-running conflicts in international politics and the subject of numerous initiatives by the international community. The paper also focuses on series’ narrative based on the conflict’s political dynamics. The main aim of the study is to analyze uses with metonymic abstraction, Israel’s security-oriented strategy narrative and its attempt to legitimize its claim to sovereignty over Palestinian territories and to seek an answer to the question of why Palestinian side is transformed into the passive and trouble-making party. In this context, Fauda is a field of expression where social struggles are reproduced, and the discourse of sovereignty is appropriated in favor of Israel. The innocence defined in Holocaust films evolves into a prevented chaos in Fauda. While humanism is a quality that purifies human being from violence, in Fauda, it is necessary to secure humanist violence.
This paper argues that the al-Aqsa Flood operation launched by the Izz ad-Din al-Qassam Brigades –the military wing of Hamas– on the morning of October 7 has led to a psychological and epistemological rupture in the Palestinian-Israeli conflict and Middle East politics as the operation marked a paradigm shift in the philosophy of the resistance. The infiltration of al-Qassam into the occupied territories by land, sea, and air was a clear sign of a change in the strategy of the resistance to continue the active struggle against the aggressive expansionism and aggression of the Zionist Israeli government. In this context, the study tries to frame Operation al-Aqsa Flood and analyze the dimensions of the rupture. Besides this, it will also outline the possible impact of the operation on global and regional politics, considering that the ongoing process will change the political balance in the Middle East.